No Country For Old


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On 11.06.2020
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Von einem heruntergekommenen Haus. Danke fr den Bildschirm erscheinen.

No Country For Old

In ihrem dicht erzählten Thriller «No Country for Old Men» entführen die beiden Kultfilmer Ethan und Joel Coen («Fargo») die Zuschauerinnen und Zuschauer in​. No Country for Old Men. + 2 Std. 2 lives-lost-in-the-med.eurfilmungen. Llewelyn Moss stolpert bei der Jagd über einen gescheiterten Drogendeal und macht sich mit. Entdecke die Filmstarts Kritik zu "No Country For Old Men" von Joel Coen, Ethan Coen: bis Über diesen erstaunlich langen Zeitraum schafften es.

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Im Jahr im US-Bundesstaat Texas wundert sich Sheriff Ed Tom Bell über das gewalttätige Verhalten der heutigen Gesellschaft. Gleichzeitig bricht der Auftragskiller Anton Chigurh aus dem Gefängnis aus. Wieder an anderer Stelle beobachtet der. No Country for Old Men ist ein US-amerikanischer Spielfilm von Ethan und Joel Coen aus dem Jahr mit Tommy Lee Jones, Javier Bardem und Josh Brolin​. No Country For Old Men. ()1 Std. 57 MinX-Ray Bei der Antilopenjagd im Südwesten von Texas entdeckt Llewelyn Moss die Leichen mehrerer. Entdecke die Filmstarts Kritik zu "No Country For Old Men" von Joel Coen, Ethan Coen: bis Über diesen erstaunlich langen Zeitraum schafften es. No Country for Old Men ist mit Abstand der gewalttätigste Film von Joel und Ethan Coen (u.a. Fargo, The Man who wasn`t there, O Brother, where Art Thou?). In No Country for Old Men flieht Josh Brolin vor Javier Bardem, dem organisierten Verbrechen und der Polizei, weil er zwei Millionen Dollar an sich. No Country for Old Men. + 2 Std. 2 lives-lost-in-the-med.eurfilmungen. Llewelyn Moss stolpert bei der Jagd über einen gescheiterten Drogendeal und macht sich mit.

No Country For Old

No Country for Old Men ist ein US-amerikanischer Spielfilm von Ethan und Joel Coen aus dem Jahr mit Tommy Lee Jones, Javier Bardem und Josh Brolin​. Oscar-Film "No Country For Old Men" Nach dem Morden Hände waschen. Ein zwanghaft reinlicher Killer, ein glückloser Geldräuber - mit. In ihrem dicht erzählten Thriller «No Country for Old Men» entführen die beiden Kultfilmer Ethan und Joel Coen («Fargo») die Zuschauerinnen und Zuschauer in​.

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Sicher kein Film für Frauen, aber auch ich als Mann muss sagen: wer einen sinnvollen Film schauen möchte, sucht sich auf jeden Fall einen anderen Film aus! Sorry, aber die miese Kritik ist völig unberechtigt. Inherent Vice - Natürliche Mängel. Effektiver sind freilich die todernsten Gräueltaten, weil sie getragen von der Härte direkt an die Nieren gehen. Netflix und Drittanbieter verwenden Cookies warum? Zitat und Plagiat liegen nicht allzu Der Partyschreck auseinander, doch in den Händen der Coens besteht keine Gefahr, dass hier Vincent DOnofrio 2019 aus dem Ruder läuft. Suche öffnen Icon: Suche. Akzeptieren Cookie-Einstellungen ändern. Alle anzeigen. In derselben Nacht kehrt er noch einmal zu dem Ort des mysteriösen Massakers Hohensaaten, um dem Überlebenden zu helfen. Your browser does not support HTML5 video. Damit The Boy Next Door Kinox noch ein wenig neuer und nicht dagewesener ausschaut, bringt der Psychopat ein weiteres seiner zahlreichen Opfer auch nicht mit einem normalen schallgedämpften Colt zur Strecke, sondern schleppt eine Gasflasche mit Bolzenschlageinrichtung mit sich umher. Hauptseite Themenportale Zufälliger Artikel. Am Ende haben die Oscars alle Zweifel besiegt. Eine weitere Nominierung erhielt Roger Deakins für die Eroica. Oscar-Film "No Country For Old Men" Nach dem Morden Hände waschen. Ein zwanghaft reinlicher Killer, ein glückloser Geldräuber - mit. In ihrem dicht erzählten Thriller «No Country for Old Men» entführen die beiden Kultfilmer Ethan und Joel Coen («Fargo») die Zuschauerinnen und Zuschauer in​. Der Film "No Country for Old Men" stand unter der Regie der Coen-Brüder und gibt auch mehr als 10 Jahre nach Erscheinung noch Rätsel auf.

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No Country for Old Men - Hotel Scene No Country For Old Die Coens gehen diesmal härter zur Sache und machen keine Gefangenen. Josh Brolin. Tess Harper. Zum Rundfunk gehören insbesondere der Hörfunk und das Fernsehen. Der Mörder ist gleichzeitig der amerikanische Bösewicht-Held, der sich sehr anschaulich selbst operiert ohne mit der Wimper The Gift zucken, in der Apotheke nach einem Magier Mit Der Maske Ablenkmanöver mit sicherer Hand die richtigen Medikamente Der Fluch 2 und vermutlich in seinem vorhergehenden Leben Chirurg war. Also los und hinein Unfriended Online Stream Filmvergnügen. Roger Ebert schrieb in der Chicago Sun-Times vom 8. Was ist dein Lieblingsfilm? Was darf's Bachelor Nachschauen sein? Namensräume Artikel Diskussion. Die Coen-Brüder hätten die Romanvorlage respektvoll, aber nicht sklavisch behandelt. Was jedoch interessanter ist als die pure Handlung, sind die Charaktere und die Erzählweise des Films. Zwei Gegenspieler hat er.

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No Country for Old Men - 'The Deputy' (HD) - Javier Bardem - MIRAMAX No Country For Old

In an interview with David Gritten of The Daily Telegraph , Gritten states that "overall [the film] seems to belong in a rarefied category of Coen films occupied only by Fargo , which Joel sighs.

There are parallels. The similarity to Fargo did occur to us, not that it was a good or a bad thing. That's the only thing that comes to mind as being reminiscent of our own movies, [and] it is by accident.

Richard Corliss of Time magazine adds that "there's also Tommy Lee Jones playing a cop as righteous as Marge in Fargo ", [74] while Paul Arendt of the BBC stated that the film transplants the "despairing nihilism and tar-black humour of Fargo to the arid plains of Blood Simple.

Some critics have also identified similarities between No Country for Old Men and the Coens' previous film Raising Arizona , namely the commonalities shared by Anton Chigurh and the fellow bounty hunter Leonard Smalls.

For Richard Gillmore, it "is, and is not, a western. It takes place in the West and its main protagonists are what you might call westerners.

On the other hand, the plot revolves around a drug deal that has gone bad; it involves four-wheel-drive vehicles, semiautomatic weapons, and executives in high-rise buildings, none of which would seem to belong in a western.

William J. Devlin finesses the point, calling the film a "neo-western", distinguishing it from the classic western by the way it "demonstrates a decline, or decay, of the traditional western ideal The moral framework of the West The villains, or the criminals, act in such a way that the traditional hero cannot make sense of their criminal behavior.

Deborah Biancott sees a "western gothic The wanderer, the psychopath, Anton Chigurh, is a man who's supernaturally invincible.

Even the directors have weighed in. Joel Coen found the film "interesting in a genre way; but it was also interesting to us because it subverts the genre expectations.

Gillmore, though, thinks that it is "a mixing of the two great American movie genres, the western and film noir," which "reflect the two sides of the American psyche.

On the one hand, there is a western in which the westerner is faced with overwhelming odds, but between his perseverance and his skill, he overcomes the odds and triumphs.

In film noir, on the other hand, the hero is smart more or less and wily and there are many obstacles to overcome, the odds are against him, and, in fact, he fails to overcome them.

This genre reflects the pessimism and fatalism of the American psyche. It is a western with a tragic, existential, film noir ending.

One of the themes in the story involves the tension between destiny and self-determination. According to Richard Gillmore, the main characters are torn between a sense of inevitability, "that the world goes on its way and that it does not have much to do with human desires and concerns", and the notion that our futures are inextricably connected to our own past actions.

Llewelyn Moss Josh Brolin wavers between immoral behavior such as taking money that doesn't belong to him, refusing to involve the police and placing his family in grave danger, and moral acts of courage such as returning to the scene of the shootout to give a dying man water, separating himself from his family and refusing the advances of a comely woman at a motel demonstrating a flexibility of principle, as well as desire to escape consequences and a fierce will to survive at all costs.

Anton Chigurh is the most amoral, killing those who stand in his way and ruling that a coin toss decides others' fate.

The third man, Sheriff Ed Tom Bell, believes himself to be moral, but feels overmatched, however stalwart he might personally be, against the depravity that surrounds and threatens to overwhelm him.

Not only behavior, but position alters. One of the themes developed in the story is the shifting identity of hunter and hunted.

Scott Foundas stresses that everyone in the film plays both roles, [83] while Judie Newman focuses on the moments of transition, when hunter Llewelyn Moss and investigator Wells become themselves targets.

The story contrasts old narratives of the "Wild West" with modern crimes, suggesting that the heroes of old can at best hope to escape from rather than to triumph over evil.

Devlin explores the narrative of Sheriff Ed Tom Bell, an aging Western hero, symbolic of an older tradition, who does not serve an underpopulated "Wild West", but an evolved landscape with new breeds of crime which baffle him.

The reception to the film's first press screening in Cannes was positive. Screen International ' s jury of critics, assembled for its daily Cannes publication, all gave the film three or four marks out of four.

The magazine 's review said the film fell short of 'the greatness that sometimes seems within its grasp'.

But it added that the film was 'guaranteed to attract a healthy audience on the basis of the track record of those involved, respect for the novel and critical support.

The film subsequently increased the number of theaters to 2, It was the 5th highest ranking film at the US box office in the weekend ending December 16, The only extras are three behind-the-scenes featurettes.

Website Blu-ray. Color vibrancy, black level, resolution and contrast are reference quality Every line and wrinkle in Bell's face is resolved and Chigurh sports a pageboy haircut in which every strand of hair appears individually distinguishable.

No other film brings its characters to life so vividly solely on the merits of visual technicalities Watch the nighttime shoot-out between Moss and Chigurh outside the hotel As bullets slam through the windshield of Moss's getaway car, watch as every crack and bullet hole in the glass is extraordinarily defined.

The audio quality earned an almost full mark, where the "bit 48 kHz lossless PCM serves voices well, and excels in more treble-prone sounds Perhaps the most audibly dynamic sequence is the dawn chase scene after Moss returns with water.

Close your eyes and listen to Moss's breathing and footsteps as he runs, the truck in pursuit as it labors over rocks and shrubs, the crack of the rifle and hissing of bullets as they rip through the air and hit the ground Kenneth S.

Brown of website High-Def Digest stated that "the Blu-ray edition of the film However, to my disappointment, the slim supplemental package doesn't include a much needed directors' commentary from the Coens.

It would have been fascinating to listen to the brothers dissect the differences between the original novel and the Oscar-winning film. It may not have a compelling supplemental package, but it does have a striking video transfer and an excellent PCM audio track.

It was presented in 2. This release included over five hours of new bonus features although it lacks deleted scenes and audio commentary.

Javier Bardem, in particular, has received considerable praise for his performance in the film. Peter Bradshaw of The Guardian called it "the best of the [Coens'] career so far".

Richard Corliss of Time magazine chose the film as the best of the year and said that "after two decades of being brilliant on the movie margins, the Coens are ready for their closeup, and maybe their Oscar ".

Scott of The New York Times stated that "for formalists — those moviegoers sent into raptures by tight editing, nimble camera work and faultless sound design — it's pure heaven.

Both praised the film for its visual language and suspense, David commenting that "Hitchcock wouldn't have done the suspense better".

Occasional disapproval was voiced, with some critics noting the absence of a "central character" and "climactic scene"; its "disappointing finish" and "dependen[ce] on an arbitrarily manipulated plot"; or a general lack of "soul" and sense of "hopelessness".

Each of the figures is given, a la standard thriller operating procedure, a single moral or psychological attribute and then acts in accordance to that principle and nothing else, without doubts, contradictions or ambivalence.

Javier Bardem became the first Spanish actor to win an Oscar. He dedicated the award to Spain and to his mother, actress Pilar Bardem , who accompanied him to the ceremony.

While accepting the award for Best Director at the 80th Academy Awards , Joel Coen said that "Ethan and I have been making stories with movie cameras since we were kids", recalling a Super 8 film they made titled " Henry Kissinger : Man on the Go".

We're very thankful to all of you out there for continuing to let us play in our corner of the sandbox. The film appeared on more critics' top ten lists than any other film of , and was more critics' No.

From Wikipedia, the free encyclopedia. This is the latest accepted revision , reviewed on 24 October Theatrical release poster.

Release date. Running time. Philadelphia Daily News. Retrieved January 4, The Boston Globe. The Atlantic. Retrieved April 28, Retrieved December 23, New York Observer.

BBC News. February 10, Archived from the original on May 24, December 17, Archived from the original on December 19, Retrieved December 22, Fox News Network.

Associated Press. December 5, Retrieved April 30, Retrieved April 5, Sun Times. November 8, Houston Chronicle. New York Magazine. Retrieved November 8, Rolling Stone.

They Shoot Pictures, Don't They. February 7, Retrieved August 17, The Guardian. Retrieved December 27, August 23, Retrieved November 1, Retrieved August 14, Los Angeles Times.

The Free Lance-Star. Chicago Tribune. Archived from the original on February 15, Random House. Retrieved November 10, Movie Zeal.

Archived from the original on January 29, Retrieved April 18, The Santa Fe New Mexican. Archived from the original on July 16, Retrieved November 26, Albuquerque Journal.

Daily Telegraph. Entertainment Weekly. The Sydney Morning Herald. December 21, The New Yorker. The Daily Telegraph. New York Times.

Retrieved March 25, Christianity Today. At the Movies. Archived from the original on March 18, Retrieved March 24, Flipside Movie Emporium.

Retrieved April 27, Retrieved May 20, Retrieved September 13, Nihilism Crashes Lumet and Coen Bros". Archived from the original on October 25, Retrieved September 14, Flak Magazine.

Retrieved December 21, Christian Spotlight. Village Voice , November 6, Publicado 24 de Diciembre del La vi ayer, y no se si tendra algo que ver que estuviera acatarrado y con decimas, pero el caso es que no entendi bien el final, si es que hay algo que entender.

Fargo, Muerte entre las flores y el gran lebowsky son de mis pelis favoritas de todos los tiempos, pero no es pais para viejos, no se, creo que me perdi algun detalle importante.

Alguien me explica el final? Compartir este mensaje Enlace al mensaje Compartir en otros sitios web. No hay nada que explicar, el final es una demostracion de la vida de Anton Chigurh, en la que cualquier percance aleatorio dada su condicion de asesino psicopata a de solucionarlo por si solo.

O asi lo entendi yo. Creo que es algo como que el papel de Tommy Lee Jones se ve superado en todo momento por los acontecimientos.

Y el final viene a demostrar eso, que es demasiado viejo para esa mierda XD. For US ratings information please visit: www.

We are an independent movie lovers club worldwide with Not related to any Media or Corporation. Users Start Rating! Drama Road Movie. Llewelyn Moss Josh Brolin , hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and over two million in cash.

Packing the money out, he knows, will change everything. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular violence and mayhem.

The pursuit stretches along and across the border, each participant seemingly determined to answer what one asks another: How does a man decide in what order to abandon his life?

A harrowing story of a war society wages on itself, an enduring meditation on the ties of love and blood and duty that inform lives and shape destinies.

Actor Bardem Critics' reviews "A superior match of source material and filmmaking talent Scott: The New York Times "While it may be their most ambitious and successful film in years, remains just a Coen brothers movie, a curio to collect rather than an experience to remember.

Friends' ratings Register so you can check out ratings by your friends, family members, and like-minded members of the FA community.

Tiene un modo tranquilo de aceptarlo". Crazy Credits. Consultado el 4 de enero de Archived from the original on February 15, Occasionally, however, he will Frühstück Spanisch someone to decide his own fate by coin toss, notably in a tense early scene in an old filling station marbled with nervous humor. The villains, or the criminals, act in such a way that the traditional hero cannot make sense of their criminal Creed Kinox.To. Said if I let him out of there, he'd kill Uci Kinowelt Wilhelmshaven again. The novel belongs to Sheriff Bell. Carla Jean Moss Garret Dillahunt He doesn't get the dignity Freddy Krüger Lied a death scene.

That night, Bell returns to the crime scene and finds the lock blown out. Chigurh hides behind the door after retrieving the money.

Bell enters Moss's room and sees that the vent has been removed. Later, Bell visits his uncle Ellis, an ex-lawman, and tells him he plans to retire because he feels "overmatched" by the recent violence.

Ellis rebuts that the region has always been violent. Weeks later, Carla Jean returns from her mother's funeral to find Chigurh waiting in her bedroom, per his threat to Moss.

She refuses his offer of a coin toss for her life, stating that he cannot pass blame to luck: the choice is his. Chigurh checks his boots as he leaves the house.

As he drives through the neighborhood, a car crashes into his at an intersection and Chigurh is injured. He bribes two young witnesses for their silence and flees.

Now retired, Bell shares two dreams with his wife. In the first, he lost some money his father had given him. In the other, he and his father were riding through a snowy mountain pass; his father had gone ahead to make a fire in the darkness and wait for Bell.

The role of Llewelyn Moss was originally offered to Heath Ledger , but he turned it down to spend time with his newborn daughter Matilda.

Josh Brolin was not the Coens' first choice, and enlisted the help of Quentin Tarantino and Robert Rodriguez to make an audition reel.

His agent eventually secured a meeting with the Coens and he was given the part. Javier Bardem nearly withdrew from the role of Anton Chigurh due to issues with scheduling.

English actor Mark Strong was put on standby to take over, but the scheduling issues were resolved and Bardem took on the role. Producer Scott Rudin bought the film rights to McCarthy's novel and suggested an adaptation to the Coen brothers , who at the time were attempting to adapt the novel To the White Sea by James Dickey.

Joel Coen said that the book's unconventional approach "was familiar, congenial to us; we're naturally attracted to subverting genre.

We liked the fact that the bad guys never really meet the good guys, that McCarthy did not follow through on formula expectations.

The Coens' script was mostly faithful to the source material. On their writing process, Ethan said, "One of us types into the computer while the other holds the spine of the book open flat.

As explained by Kelly Macdonald, "the ending of the book is different. She reacts more in the way I react. She kind of falls apart. In the film she's been through so much and she can't lose any more.

It's just she's got this quiet acceptance of it. Richard Corliss of Time stated that "the Coen brothers have adapted literary works before.

But No Country for Old Men is their first film taken, pretty straightforwardly, from a [contemporary] prime American novel.

The writing is also notable for its minimal use of dialogue. Josh Brolin discussed his initial nervousness with having so little dialogue to work with:.

I mean it was a fear, for sure, because dialogue, that's what you kind of rest upon as an actor, you know?

Drama and all the stuff is all dialogue motivated. You have to figure out different ways to convey ideas.

You don't want to overcompensate because the fear is that you're going to be boring if nothing's going on. You start doing this and this and taking off your hat and putting it on again or some bullshit that doesn't need to be there.

So yeah, I was a little afraid of that in the beginning. Peter Travers of Rolling Stone praised the novel adaptation.

Good and evil are tackled with a rigorous fix on the complexity involved. Director Joel Coen justified his interest in the McCarthy novel. Because you only saw this person in this movie making things and doing things in order to survive and to make this journey, and the fact that you were thrown back on that, as opposed to any dialogue, was interesting to us.

Coen stated that this is the brothers' "first adaptation". He further explained why they chose the novel: "Why not start with Cormac? Why not start with the best?

He believed that the author liked the film, while his brother Ethan said, "he didn't yell at us. The title is taken from the opening line of 20th-century Irish poet William Butler Yeats ' poem " Sailing to Byzantium ": [32].

That is no country for old men. The young In one another's arms, birds in the trees — Those dying generations — at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies.

Caught in that sensual music all neglect Monuments of unageing intellect. Richard Gillmore relates the Yeats poem to the Coens' film.

It is also a lament for the way the young neglect the wisdom of the past and, presumably, of the old Yeats chooses Byzantium because it was a great early Christian city in which Plato's Academy , for a time, was still allowed to function.

The historical period of Byzantium was a time of culmination that was also a time of transition. In his book of mystical writings, A Vision , Yeats says, 'I think that in early Byzantium, maybe never before or since in recorded history, religious, aesthetic, and practical life were one, that architect and artificers It is an ideal rarely realized in this world and maybe not even in ancient Byzantium.

Certainly within the context of the movie No Country for Old Men , one has the sense, especially from Bell as the chronicler of the times, that things are out of alignment, that balance and harmony are gone from the land and from the people.

Craig Kennedy adds that "one key difference is that of focus. The novel belongs to Sheriff Bell. Each chapter begins with Bell's narration, which dovetails and counterpoints the action of the main story.

Though the film opens with Bell speaking, much of what he says in the book is condensed and it turns up in other forms.

Also, Bell has an entire backstory in the book that doesn't make it into the film. The result is a movie that is more simplified thematically, but one that gives more of the characters an opportunity to shine.

Jay Ellis elaborates on Chigurh's encounter with the man behind the counter at the gas station. Where the book describes the setting as 'almost dark', the film clearly depicts high noon: no shadows are notable in the establishing shot of the gas station, and the sunlight is bright even if behind cloud cover.

The light through two windows and a door comes evenly through three walls in the interior shots. But this difference increases our sense of the man's desperation later, when he claims he needs to close and he closes at 'near dark'; it is darker, as it were, in the cave of this man's ignorance than it is outside in the bright light of truth.

In advance of shooting, cinematographer Roger Deakins saw that "the big challenge" of his ninth collaboration with the Coen brothers was "making it very realistic, to match the story I'm imagining doing it very edgy and dark, and quite sparse.

Not so stylized. It's that order of planning. And we only shot , feet, whereas most productions of that size might shoot , or a million feet of film.

It's quite precise, the way they approach everything. We never use a zoom," he said. You're actually getting closer to somebody or something. It has, to me, a much more powerful effect, because it's a three-dimensional move.

A zoom is more like a focusing of attention. You're just standing in the same place and concentrating on one smaller element in the frame.

Emotionally, that's a very different effect. In a later interview, he mentioned the "awkward dilemma [that] No Country certainly contains scenes of some very realistically staged fictional violence, but We were aware of those similarities, certainly.

Director Joel Coen described the process of film making: "I can almost set my watch by how I'm going to feel at different stages of the process.

It's always identical, whether the movie ends up working or not. I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic about how it's going to work.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away.

And then it gradually, maybe, works its way back, somewhere toward that spot you were at before. After watching this foolhardy but physically gifted and decent guy escape so many traps, we have a great deal invested in him emotionally, and yet he's eliminated, off-camera, by some unknown Mexicans.

He doesn't get the dignity of a death scene. The Coens have suppressed their natural jauntiness. They have become orderly, disciplined masters of chaos, but one still has the feeling that, out there on the road from nowhere to nowhere, they are rooting for it rather than against it.

Josh Brolin discussed the Coens' directing style in an interview, saying that the brothers "only really say what needs to be said. They don't sit there as directors and manipulate you and go into page after page to try to get you to a certain place.

They may come in and say one word or two words, so that was nice to be around in order to feed the other thing. I'll just watch Ethan go humming to himself and pacing.

Maybe that's what I should do, too. Maybe it was because we both [Brolin and Javier Bardem ] thought we'd be fired. With the Coens, there's zero compliments, really zero anything.

No 'nice work. And then—I'm doing this scene with Woody Harrelson. Woody can't remember his lines, he stumbles his way through it, and then both Coens are like, 'Oh my God!

We tried to give it the same feeling. The Coens minimized the score used in the film, leaving large sections devoid of music.

The concept was Ethan's, who persuaded a skeptical Joel to go with the idea. There is some music in the movie, scored by the Coens' longtime composer, Carter Burwell , but after finding that "most musical instruments didn't fit with the minimalist sound sculpture he had in mind Sound editing and effects were provided by another longtime Coens collaborator, Skip Lievsay , who used a mixture of emphatic sounds gun shots and ambient noise engine noise, prairie winds in the mix.

The Foley for the captive bolt pistol used by Chigurh was created using a pneumatic nail gun. Anthony Lane of The New Yorker states that "there is barely any music, sensual or otherwise, and Carter Burwell's score is little more than a fitful murmur", [47] and Douglas McFarland states that "perhaps [the film's] salient formal characteristic is the absence, with one telling exception, of a musical soundtrack, creating a mood conducive to thoughtful and unornamented speculation in what is otherwise a fierce and destructive landscape.

But it is there, telling our unconscious that something different is occurring with the toss; this becomes certain when it ends as Chigurh uncovers the coin on the counter.

The deepest danger has passed as soon as Chigurh finds and Javier Bardem's acting confirms this and reveals to the man that he has won. Dennis Lim of The New York Times stressed that "there is virtually no music on the soundtrack of this tense, methodical thriller.

Long passages are entirely wordless. In some of the most gripping sequences what you hear mostly is a suffocating silence. The idea here was to remove the safety net that lets the audience feel like they know what's going to happen.

I think it makes the movie much more suspenseful. You're not guided by the score and so you lose that comfort zone. James Roman observes the effect of sound in the scene where Chigurh pulls in for gas at the Texaco rest stop.

As the scene opens in a long shot, the screen is filled with the remote location of the rest stop with the sound of the Texaco sign mildly squeaking in a light breeze.

The sound and image of a crinkled cashew wrapper tossed on the counter adds to the tension as the paper twists and turns.

The intimacy and potential horror that it suggests is never elevated to a level of kitschy drama as the tension rises from the mere sense of quiet and doom that prevails.

Jeffrey Overstreet adds that "the scenes in which Chigurh stalks Moss are as suspenseful as anything the Coens have ever staged.

And that has as much to do with what we hear as what we see. No Country for Old Men lacks a traditional soundtrack, but don't say it doesn't have music.

The blip-blip-blip of a transponder becomes as frightening as the famous theme from Jaws. The sound of footsteps on the hardwood floors of a hotel hallway are as ominous as the drums of war.

When the leather of a briefcase squeaks against the metal of a ventilation shaft, you'll cringe, and the distant echo of a telephone ringing in a hotel lobby will jangle your nerves.

While No Country for Old Men is a "doggedly faithful" adaptation of McCarthy's novel and its themes, the film also revisits themes which the Coens had explored in their earlier movies Blood Simple and Fargo.

Still, the Coens open the film with a voice-over narration by Tommy Lee Jones who plays Sheriff Ed Tom Bell set against the barren Texas country landscape where he makes his home.

His ruminations on a teenager he sent to the chair explain that, although the newspapers described the boy's murder of his year-old girlfriend as a crime of passion, "he told me there weren't nothin' passionate about it.

Said he'd been fixin' to kill someone for as long as he could remember. Said if I let him out of there, he'd kill somebody again.

Said he was goin' to hell. Reckoned he'd be there in about 15 minutes. And their impact has been improved upon in the delivery.

When I get the DVD of this film, I will listen to that stretch of narration several times; Jones delivers it with a vocal precision and contained emotion that is extraordinary, and it sets up the entire film.

In The Village Voice , Scott Foundas writes that "Like McCarthy, the Coens are markedly less interested in who if anyone gets away with the loot than in the primal forces that urge the characters forward In the end, everyone in No Country for Old Men is both hunter and hunted, members of some endangered species trying to forestall their extinction.

New York Times critic A. Scott observes that Chigurh, Moss, and Bell each "occupy the screen one at a time, almost never appearing in the frame together, even as their fates become ever more intimately entwined.

Variety critic Todd McCarthy describes Chigurh's modus operandi : "Death walks hand in hand with Chigurh wherever he goes, unless he decides otherwise Occasionally, however, he will allow someone to decide his own fate by coin toss, notably in a tense early scene in an old filling station marbled with nervous humor.

Jim Emerson describes how the Coens introduced Chigurh in one of the first scenes when he strangles the deputy who arrested him: "A killer rises: Our first blurred sight of Chigurh's face Y el final viene a demostrar eso, que es demasiado viejo para esa mierda XD.

Nos os lieis tanto Zankuro Diosas de Oro Publicado 24 de Diciembre del Sea como fuere. Beintus Antediluvian Publicado 24 de Diciembre del El final a simple vista puede dejarte un poco a cuadros pero si logras entenderlo te das cuenta que es mucho menos simple de lo que parece.

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Rate this movie. Add to lists. Actor Bardem. Actor Bardem , Cinematography. Show 11 more awards. Screenplay, Supp.

Result is one of the [Coens'] very best films A total visual and aural pleasure. Todd McCarthy: Variety. Peter Travers: Rolling Stone.

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No Country For Old Men (2007) Official Trailer - Tommy Lee Jones, Javier Bardem Movie HD

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